Late Romantic · Virtuoso
Étude-tableau Op. 33 No. 3
- Catalog
- Op. 33
- Year
- 1911
- Form
- Character Piece
- Instrumentation
- Solo Piano
- Difficulty
- Virtuoso
- License
- Public Domain
- Source
- IMSLP / Petrucci Music Library
Étude-tableau Op. 33 No. 3 by Sergei Rachmaninoff, catalogued as Op. 33, is a work for solo piano in C-sharp minor. Composed during the Late Romantic era, it forms part of the composer's enduring contribution to the keyboard repertoire and is freely available in the public domain through archives such as IMSLP.
Sergei Rachmaninoff carried the Romantic piano tradition into the twentieth century. His Préludes, Études-Tableaux, Moments musicaux, and two sonatas are huge, dense, lyrical works built for a hand the size of his own.
The work is suited to virtuoso-level pianists. As with all repertoire from this period, study editions vary; the public-domain engravings linked here are based on the most widely-circulated nineteenth- and early-twentieth-century editions and are sufficient for serious study, recital preparation, and recording.
About Sergei Rachmaninoff
Sergei Rachmaninoff carried the Romantic piano tradition into the twentieth century. His Préludes, Études-Tableaux, Moments musicaux, and two sonatas are huge, dense, lyrical works built for a hand the size of his own.
Key character — C-sharp minor
Veiled, intimate, meditative. The key of Beethoven's Moonlight Sonata and Rachmaninoff's Prelude Op. 3 No. 2.
The Late Romantic Era
The late Romantic era extended Romantic intensity into chromatic, large-scale works by Rachmaninoff, Scriabin, Fauré, and the late Brahms. Harmonic ambiguity and dense layered textures begin to point toward the modern.
About the Character Piece form
A short, self-contained Romantic miniature with a distinct mood or programmatic suggestion — the genre that includes Schumann's Albumblätter, Mendelssohn's Songs Without Words, and Grieg's Lyric Pieces.