Alexander Scriabin
Alexander Scriabin began writing Chopin-influenced miniatures and ended his career inventing his own quasi-mystical harmonic system. His ten piano sonatas and m…
Alexander Scriabin began writing Chopin-influenced miniatures and ended his career inventing his own quasi-mystical harmonic system. His ten piano sonatas and m…
Claude Debussy reinvented the piano. His Préludes, Études, Images, Estampes, and Children's Corner replaced traditional development with colour, perfume, and at…
Domenico Scarlatti wrote 555 single-movement keyboard sonatas, mostly in binary form, that combine Iberian guitar idioms, daring harmonic shifts, and a feisty I…
Erik Satie's slim, ironic piano miniatures — the three Gymnopédies, the Gnossiennes, the Pièces froides — invented an alternative French keyboard tradition: spa…
Felix Mendelssohn's eight books of Lieder ohne Worte are among the most enduring nineteenth-century miniatures — singing right-hand melodies over a luminous, we…
Franz Liszt redefined what was technically possible at the piano. His Études d'exécution transcendante, the B-minor Sonata, the Années de pèlerinage, and the op…
Franz Schubert's piano music sits at the cusp of Classical and Romantic — the architecture of Mozart and Beethoven, the lyricism of his own song cycles, and a h…
François Couperin's four books of Pièces de clavecin contain more than two hundred ordres of harpsichord pieces — character sketches, dances, and tableaux that …
Frédéric Chopin wrote almost exclusively for the piano. His preludes, études, nocturnes, ballades, scherzos, polonaises, mazurkas, and waltzes invented the Roma…
Gabriel Fauré's Nocturnes, Barcarolles, and Impromptus form a private, elegantly modulating world halfway between Chopin and Debussy. His harmonic language, esp…
George Frideric Handel's keyboard suites — eight in the famous 1720 collection and a second set published later — combine the French overture, Italian aria, and…
Jean-Philippe Rameau's three published books of harpsichord pieces are the high point of the French Baroque keyboard repertoire alongside Couperin — bolder in h…
Johann Sebastian Bach is the central figure of the late Baroque keyboard tradition and, by common agreement, the greatest contrapuntist in Western music. His ke…
Johannes Brahms's piano music spans the early sonatas, the Paganini and Handel variation sets, and a final great body of late character pieces — the Op. 116 to …
Joseph Haydn wrote more than fifty keyboard sonatas across a career that effectively invented the Classical sonata. Wit, surprise, and a profound mastery of for…
Ludwig van Beethoven's thirty-two piano sonatas form the most important single body of work in the keyboard repertoire — what Hans von Bülow called the New Test…
Maurice Ravel's piano writing is famously precise — Gaspard de la nuit, Miroirs, Le Tombeau de Couperin, the Sonatine, and Jeux d'eau combine impressionist colo…
Robert Schumann's piano cycles — Carnaval, Kreisleriana, Davidsbündlertänze, Kinderszenen, Fantasiestücke, the Symphonic Etudes — invented the Romantic characte…
Sergei Rachmaninoff carried the Romantic piano tradition into the twentieth century. His Préludes, Études-Tableaux, Moments musicaux, and two sonatas are huge, …
Wolfgang Amadeus Mozart wrote eighteen numbered piano sonatas, two dozen sets of variations, and a small constellation of fantasias and rondos that together def…