Baroque · Advanced
Three-Part Sinfonia No. 1
- Catalog
- BWV 787
- Key
- C major
- Year
- 1723
- Era
- Baroque
- Form
- Character Piece
- Instrumentation
- Solo Piano
- Difficulty
- Advanced
- License
- Public Domain
- Source
- IMSLP / Petrucci Music Library
Three-Part Sinfonia No. 1 by Johann Sebastian Bach, catalogued as BWV 787, is a work for solo piano in C major. Composed during the Baroque era, it forms part of the composer's enduring contribution to the keyboard repertoire and is freely available in the public domain through archives such as IMSLP.
Johann Sebastian Bach is the central figure of the late Baroque keyboard tradition and, by common agreement, the greatest contrapuntist in Western music. His keyboard output spans every form available to him — preludes and fugues, suites, partitas, inventions, variations, toccatas, and pedagogical exercises that shaped the instrument for two centuries.
The work is suited to advanced-level pianists. As with all repertoire from this period, study editions vary; the public-domain engravings linked here are based on the most widely-circulated nineteenth- and early-twentieth-century editions and are sufficient for serious study, recital preparation, and recording.
About Johann Sebastian Bach
Johann Sebastian Bach is the central figure of the late Baroque keyboard tradition and, by common agreement, the greatest contrapuntist in Western music. His keyboard output spans every form available to him — preludes and fugues, suites, partitas, inventions, variations, toccatas, and pedagogical exercises that shaped the instrument for two centuries.
Key character — C major
Bright, plain, and rhetorical. The native key of the keyboard. Bach uses it for his First Prelude in the Well-Tempered Clavier; Beethoven for the heroic Waldstein Sonata.
The Baroque Era
The Baroque era brought the keyboard from the harpsichord and clavichord to its expressive zenith. Counterpoint, dance suites, fugues, and ornamentation define the music of Bach, Handel, Scarlatti, and Couperin. Pieces from this period reward careful voice-leading and articulate fingerwork.
About the Character Piece form
A short, self-contained Romantic miniature with a distinct mood or programmatic suggestion — the genre that includes Schumann's Albumblätter, Mendelssohn's Songs Without Words, and Grieg's Lyric Pieces.