Romantic · Advanced
Piano Sonata in A minor — Scherzo
- Catalog
- D. 845
- Key
- A minor
- Year
- 1825
- Era
- Romantic
- Form
- Sonata
- Instrumentation
- Solo Piano
- Difficulty
- Advanced
- License
- Public Domain
- Source
- IMSLP / Petrucci Music Library
Piano Sonata in A minor — Scherzo by Franz Schubert, catalogued as D. 845, is a work for solo piano in A minor. Composed during the Romantic era, it forms part of the composer's enduring contribution to the keyboard repertoire and is freely available in the public domain through archives such as IMSLP.
Franz Schubert's piano music sits at the cusp of Classical and Romantic — the architecture of Mozart and Beethoven, the lyricism of his own song cycles, and a harmonic palette that turns toward the new. His Impromptus, Moments musicaux, and late sonatas are among the most loved works of the German tradition.
The work is suited to advanced-level pianists. As with all repertoire from this period, study editions vary; the public-domain engravings linked here are based on the most widely-circulated nineteenth- and early-twentieth-century editions and are sufficient for serious study, recital preparation, and recording.
About Franz Schubert
Franz Schubert's piano music sits at the cusp of Classical and Romantic — the architecture of Mozart and Beethoven, the lyricism of his own song cycles, and a harmonic palette that turns toward the new. His Impromptus, Moments musicaux, and late sonatas are among the most loved works of the German tradition.
Key character — A minor
Ancient and elegiac. The natural minor of the keyboard and a constant home for Baroque dance suites and Romantic character pieces.
The Romantic Era
The Romantic era turned the piano into an orchestra under ten fingers. Chopin, Schumann, Schubert, Liszt, Brahms, and Mendelssohn pushed expression toward the personal and the poetic, exploiting pedal, color, and virtuosity in equal measure.
About the Sonata form
The sonata is the central architectural form of Classical and Romantic keyboard music: typically three or four contrasting movements built around the dramatic dialogue of sonata-allegro form. From C. P. E. Bach's first essays through Beethoven's 32, Schubert's last great cycle, and the Romantic single-movement experiments of Liszt and Scriabin, the sonata absorbs every major shift in keyboard thinking.