Song Without Words — Op. 62 No. 3

Song Without Words — Op. 62 No. 3 by Felix Mendelssohn, catalogued as Op. 62 No. 3, is a work for solo piano in G minor. Composed during the Romantic era, it forms part of the composer's enduring contribution to the keyboard repertoire and is freely available in the public domain through archives such as IMSLP.

Felix Mendelssohn's eight books of Lieder ohne Worte are among the most enduring nineteenth-century miniatures — singing right-hand melodies over a luminous, well-organised accompaniment. The Variations sérieuses and the Rondo capriccioso extend his keyboard reach.

The work is suited to intermediate-level pianists. As with all repertoire from this period, study editions vary; the public-domain engravings linked here are based on the most widely-circulated nineteenth- and early-twentieth-century editions and are sufficient for serious study, recital preparation, and recording.

About Felix Mendelssohn

Felix Mendelssohn's eight books of Lieder ohne Worte are among the most enduring nineteenth-century miniatures — singing right-hand melodies over a luminous, well-organised accompaniment. The Variations sérieuses and the Rondo capriccioso extend his keyboard reach.

Key character — G minor

Restless and tragic. Mozart's symphonies and Chopin's Ballade No. 1 inhabit this expressive corner.

The Romantic Era

The Romantic era turned the piano into an orchestra under ten fingers. Chopin, Schumann, Schubert, Liszt, Brahms, and Mendelssohn pushed expression toward the personal and the poetic, exploiting pedal, color, and virtuosity in equal measure.

About the Character Piece form

A short, self-contained Romantic miniature with a distinct mood or programmatic suggestion — the genre that includes Schumann's Albumblätter, Mendelssohn's Songs Without Words, and Grieg's Lyric Pieces.