Piano Music of the 1760s
57 public-domain works composed between 1760 and 1769. A snapshot of keyboard composition in a single decade — what was being written, where it sat in each composer's output, and how the conventions of the keyboard were evolving in real time.
Context: the 1760s in keyboard music
The decade of the 1760s falls in Haydn's first keyboard sonatas and the rise of the fortepiano as the keyboard of choice in Vienna and London. The works listed here are drawn from across the geographic centres of European keyboard composition in that period — primarily the German lands, France, Italy, the Habsburg territories, and (later in the century) Russia, Poland, Bohemia, and Scandinavia.
Reading a single decade's keyboard output as a unit is one of the most useful exercises a serious pianist or musicologist can do. It shows the dominant forms in real proportion (how many sonatas, how many preludes, how many character pieces), reveals which composers were prolific and which were quietly working in shadow, and exposes the harmonic and textural common-practice of the moment in a way that the broader era labels cannot.
Every score below links to its IMSLP catalog page, where you can download the PDF, compare editions, and read the editorial notes prepared by the Petrucci Music Library volunteer community.